The Real Sam Asp Glassen
I fuck MylarBalloons like they are my favorite anime characters.
Hellovan Onion
It must have been one hell of food safety challenge for such a shitty product
A proud, independent and vibrant splinter of the Kiwifarms community. All races, ethnicities, religions, gay/straight, CIS/trans, neurodiversity affirmative. If you can rock with us: You are one of us.
Please note: Positions or opinions expressed are personal and don't reflect official stances by Onionfarms.
Please note: Positions or opinions expressed are personal and don't reflect official stances by Onionfarms.
Cowsphere - Garden Variety A Doll's Digital Playground
- Thread starter Faux90sKid
- Start date
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Public figures in internet culture that are predominately seen as part of the cowsphere community
Nobody has made me blush like this in a hot minute and you need to be fucked down gay boy. Jack made me horny before but not like this. Your cock must be bigger to step to me like this.
you're so fucking cute
My Balls
Baby Onion
I’ll let you dick me down but we gotta let the yaoi addicted homophobe watchNobody has made me blush like this in a hot minute and you need to be fucked down gay boy. Jack made me horny before but not like this. Your cock must be bigger to step to me like this.
you're so fucking cute
I'm impersonating Rose.
My Balls
Baby Onion
As much as I respect Hayao Miyazaki as a writer, director, and animator. His last work of "The Boy and The Heron" is nothing short of negative outlook on escapism, creation, art and a sense of nihilism toward ones destiny. Though the animation/movie is amazing. His opinion and philosophy of the dead end of life was expressed beautifully in his work. Nothing fundamentally was wrong with the film. Everything was executed with prestige as he always has done.
But the ending was not the belief I would align myself with in the art of anything. Great-Uncle was the character in the film that constructed his own world that would dissolve toward the end of the film. He was the master mind behind his fantasy world that had metaphors, scenery conceived from his mind. Mahito Maki the protagonists would stumble upon this in the tiny village he would move to after his mother died due to war related incidents since this was based in WW2 during the Japanese Empire. As you watch the film, you see the very mechanics and this wide range world Great-Uncle created but as this movie argues that things eventually fall, die, and the final chapter of life always comes to a close. Also a more emphasis of escapism through art.
The problem with this is that there is a paradox in the making/ending of this film. When a door closes in life another one will open. When you finish a book that you wrote, you move on to another if you desire. Throughout mankind, master of their craft have always continued their work regardless of their age. People even work to death, they work some job until they hit the grave. So in theory to this film, if the world that Great-Uncle created were to be destroyed, he could make another one as if a bridge were to fall into the river, then you construct one that's even better. But there is another reason which seems not of a paradox, but a sad reality in the eyes of veterans to the craft such Hayao Miyazaki.
He doesn't agree with the modern ways of what we call anime since he doesn't consider his work even such. But with this film he accepts this reality and another metaphor of the world collapsing that Great-Uncle made was this old world that lasted forever until now in the time of this universe of the boy and the heron so even if in theory that Great-Uncle would exist on after the worlds destruction, he could make another one but more adapting to the environment of change. But he doesn't argue this and it's understandable since he's just at the age of wanting to let go of the baggage and slowly progress away from his old ways of thinking into a more accepting nature of modern Japanese work.
But regardless of his beliefs and philosophy, Ghibi Studio animations will always hold a hint of influence in my heart when it pertains to anything Japanese Film/Animation related. And also with anything media related. His ways, ideas and magical worlds will always live on as Spirited Away has and other amazing films. It was just with The Boy and The Heron, I only wished he had a different approach that was less grim and more vibrant to the idea of change. For example, instead of the world never existing again that Great-Uncle created, the boy or someone else could have made something more healthier and clean as to it wouldn't be escapism, but inspiration from the previous world. This would have been the best ending as again, when a door closes, another one opens. Not everything has to come to an end as even if a book ends and nothing else is canon, future books can still be inspired from that one and a new story is born.
But the ending was not the belief I would align myself with in the art of anything. Great-Uncle was the character in the film that constructed his own world that would dissolve toward the end of the film. He was the master mind behind his fantasy world that had metaphors, scenery conceived from his mind. Mahito Maki the protagonists would stumble upon this in the tiny village he would move to after his mother died due to war related incidents since this was based in WW2 during the Japanese Empire. As you watch the film, you see the very mechanics and this wide range world Great-Uncle created but as this movie argues that things eventually fall, die, and the final chapter of life always comes to a close. Also a more emphasis of escapism through art.
The problem with this is that there is a paradox in the making/ending of this film. When a door closes in life another one will open. When you finish a book that you wrote, you move on to another if you desire. Throughout mankind, master of their craft have always continued their work regardless of their age. People even work to death, they work some job until they hit the grave. So in theory to this film, if the world that Great-Uncle created were to be destroyed, he could make another one as if a bridge were to fall into the river, then you construct one that's even better. But there is another reason which seems not of a paradox, but a sad reality in the eyes of veterans to the craft such Hayao Miyazaki.
He doesn't agree with the modern ways of what we call anime since he doesn't consider his work even such. But with this film he accepts this reality and another metaphor of the world collapsing that Great-Uncle made was this old world that lasted forever until now in the time of this universe of the boy and the heron so even if in theory that Great-Uncle would exist on after the worlds destruction, he could make another one but more adapting to the environment of change. But he doesn't argue this and it's understandable since he's just at the age of wanting to let go of the baggage and slowly progress away from his old ways of thinking into a more accepting nature of modern Japanese work.
But regardless of his beliefs and philosophy, Ghibi Studio animations will always hold a hint of influence in my heart when it pertains to anything Japanese Film/Animation related. And also with anything media related. His ways, ideas and magical worlds will always live on as Spirited Away has and other amazing films. It was just with The Boy and The Heron, I only wished he had a different approach that was less grim and more vibrant to the idea of change. For example, instead of the world never existing again that Great-Uncle created, the boy or someone else could have made something more healthier and clean as to it wouldn't be escapism, but inspiration from the previous world. This would have been the best ending as again, when a door closes, another one opens. Not everything has to come to an end as even if a book ends and nothing else is canon, future books can still be inspired from that one and a new story is born.
The Real Sam Asp Glassen
I fuck MylarBalloons like they are my favorite anime characters.
Hellovan Onion
yawn
Loved the abridged for hellsing lmao, always a fun re watch too. I need to watch hellsing again since it's been awhile, considered checking out castlevania too at some point but I've just had a lot on the backlog that I need to get to at some point.
I guess fair enough tbh I just don't get why people care so much idk, I just post whatever and on a space I made and it's up to other people or not to invest in the dumb stuff I post. I've just always over shared mind vomit for so long. I've apologized if it annoys people.
I could just post content from the projects I'm working on, but I want to create something I feel content with before sharing, that's all.
I've said before it'll be nothing really noteworthy anyways and is just a passion project.
not here to bother anybody.
The commentary they did is awful every single time they make a joke they always follow it up with some dumb fucking apology for not being "politically correct" enough.
If I remember correctly though but apparently the Taka guy is allegedly a sex pest
My Balls
Baby Onion
The thread was better before you joined
My Balls
Baby Onion
My Balls
Baby Onion
don’t make me say it …
My Balls
Baby Onion
I’d better be careful, I don’t wanna be labeled a “stalker” for having eyes and using a public forum
I don't know if I've done anything to piss people off or even who the people are commenting here for the most part but I'm never trying to really bother anybody when I post here, or to other social platforms and didn't really even expect people to care enough about schizoid stuff I decide to vomit out in the first place
but if I've bothered anyone my bad, not too sure what else to say.
My Balls
Baby Onion
I don’t think you’ve pissed anyone off, you’re not a victim, nobody’s mad at you and you have nothing to apologize for. You just truly are a lolcow despite how much you hate it and say you aren’t. You don’t HAVE anything to say except apologies for nothing? Stop LOL. Maybe it’s your whole presence online is pointless. I think this message is like the same as five others you’ve posted here.
I do just about the same shit as every basic bitch out there tbh, would assume lolcow being the term is as much as a reach as saying "how much I hate it and say I'm not", when I don't really care one way or the other since I was just around to shoot the shit since I didn't have personal problems with anyone tbh. I'm just not understanding if I've done something to piss people off, since it wasn't really intended.
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